Visual Development
Character Design
Croaked
WIP Project - Stop-Motion/Multi-Media Short Film
"Trippy Frog" colour concepts
Frog Design by Chezla Spina
Personal character design inspired by the project
The Body
Story Concept - Stop-Motion Short Film
A rescue mission for a missing teddy bear takes an unexpected turn when a trio of primary schoolers stumble across a dead body and face awkward questions from a rookie cop.
Jekyll & Hyde: Reimagined
Youth-Orientated - 2D Animated Series
Alternative Style - Graphic Novel
Get Me The F*ck Out Of Here
Character Design Model Pack
Story Concept - 2D Animated Sci-Fi TV Series
The ex-heir of a wealthy businessman uncovers the truth of the city of Liberty and defies her status.
She's never liked her surroundings. She craves adventure. She needs to get the fuck out of here.
Horror Movie Trope Characters
Personal concepts
Vance
Original character expression sheet
Props
Henry's Cloning Machine - Clone Operational Intelligience Nucleus Machine
Mature / Realism - Live Action Film
Possessed Object - Hyde
Environments
Henry's Lab
Historical Concepts
Lighting studies & Wear and tear
Visual Development
References:
Dexter's Laboratory (1996-2003); Invader ZIM (2001-2006); Danny Phantom (2003-2007)
References:Alessia De Sio - @bitsandbones; Sin City (1991-2000); Luke Cage Noir (2009); DMZ Vol. 11: Free States Rising (2012); Punisher Max: Hot Rods of Death (2010); Johnny Eager (1942); Detective Story (1951)
Get Me The F*ck Out Of Here
References:
Cristina Laviña Ferez; Fortnite (2017-); Alberto Mielgo; 祝菊艳-ZJY; Scott Pilgrim (2004-2010); Arcane (2021-2024); Julius Campbell; Terry Wei; Cyberpunk: Edgerunners (2022); Love, Death & Robots - Zima Blue (2019)
Life Drawings
I mainly study the human figure in my life drawings and I love to experiment with different materials!
Port of Myths
A set of comedic Workplace Health & Safety animations commissioned by a client company in Melbourne.
• Character Artist
• 2D Animator
Character Art
Eli the EelI had worked on most of the development for Eli, however, Harriet Gilpin had worked on the initial concepts for this character.
Geoff the Giant SquidI had just worked on the clean up for this character - rigging model & sitting pose reference.
The original design was created by Maya Lamicchane.
Animation
Worked on the lip syncing for Cindy the Cyclops in this scene of the first "episode".
Visual Development
Eli the EelBased the shape language and colour palette from Harriet's original concept work.
Eventually, I worked on contrast, colour, and texture. My art director, Codi Monroe, decided that we should make Eli green as we hadn't had any characters with that specific colour palette.
Geoff the Giant Squid - ExpressionsI had to work on base references so that the rigging and animation team could give Geoff expressions in his own "episode".
Keith the Kraken - Initial ConceptsThe first character concept I worked on within this project. This was when we were still finding the style for this project and I had mainly worked on shapes and colour ideas.
The final design was persued by Chloe Wolhuter.
Illustrations
I tend to delve into stylised realism and my own personal "cartoony" art style.
I enjoy drawing my own and others' original characters as well as myself and characters from existing medias.I would like to spend more time on my own personal work outside of university. I am thinking of opening commissions in the future to motivate me in this task!
Film
Film is another passion of mine that I would love to further pursue in my future. I fell in love with it in high school which eventually also blossomed my love for animation as well!I LOVE working on music videos - it's a great love of mine. Music and film are two things that are extremely dear to me and putting those together is just pure perfection! If I ever end up in a band, I would LOVE to take full control on the way our music videos turn out :).